Francisco Colasanto is on Facebook. Join Facebook to connect with Francisco Colasanto and others you may know. Facebook gives people the power to share. Giga-Hertz Award & Walter Fink Prize. Award Ceremony. Projects. Red plaque with “Giga-Hertz-Award” in white letters · Giga-Hertz Award. Francisco Colasanto. Buenos Aires (Argentina), Composer. Francisco Colasanto. Complete List of WorksComplete List of Albums.
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That’s why Max is always present in our activities. Artists working with Max are able to present their job there as well as at “Visiones sonoras”, our international music and new technologies festival that takes place every year in November. We’ve linked to you on BlogInterviewer.
My intention was always to write a book that could be used by anyone wanting to get started with this, so the first chapter introduces the first concepts of Max and its interface. I’ve dictated several Max courses in Argentina, and all of them were always very crowded. Do you see a lot of Max usage in Spanish-speaking countries? Are you planning to write other books on Max? To do this, each new object comes with a sample patch using only the studied object and the objects that had been reviewed at the moment, so the student is able to confirm several times how these objects work in different situations.
Francisco Colasanto | Free Listening on SoundCloud
We’ve seen some really phenomenal technology-based work and New Media institutions popping up in Latin America in recent years, but North Americans are largely unaware of these developments.
Sign in to reply. The second will be entirely related to signal processes, i.
There are a lot of enthusiastic people in Argentina working in many francsco the universities in Buenos Aires, Cordoba, Santa Fe, and several others. As far as I know, there is no any other version in Spanish.
You can learn how to write in Max as you learn to speak another language. In your perspective, where is the most exciting stuff happening right now in the Spanish-speaking world?
In my opinion, there’s a strong demand in Latin America. Try Max free for 30 days. Nov 27 4: Buy Max 8 Now. We can also include Brazil, as Brazilian Portuguese is close to Spanish, and many people will be able to read the book there. The methodology I used was to build knowledge as a pyramid, reviewing past concepts as new ones are introduced, so knowledge is enlarged and solidified. Yours is the first Spanish language Max book that I’ve seen.
Did you learn from the English tutorials that ship with Max or was there something in Spanish that you were able to access? Francisxo authorization, support cases, and manual order processing will be delayed. There was no Max literature into Spanish, and in fact I think my book is actually the first Spanish book colsaanto this topic. In this interview, we get a chance to catch up with Francisco and learn more about his in-depth book as well as his work at CMMAS in Mexico and elsewhere.
Francisco Colasanto on Apple Books
I can remember myself spending many hours a day studying Max, and I did so for 5 years of my life. What can someone expect to learn from reading this book?
The first thing I did was to migrate all my orchestras from CSound to Max. I’ve already begun to write it. Cycling ’74 will be closed on Dec 25th, 26th, and Jan 1st.
If this book were the start of a series, how would you follow it up? In Patagonia, in fact, a multimedia course was founded at Rio Negro University, and they want to use my book as an important part of their francissco.
That’s why I think is critical to provide a solid base of the message-based patching before delving into signal-processing. At that time I was working in a small electroacoustic music laboratory in Buenos Aires. Although my book about Max took almost 3 years of my life, I’m composing music for mixed media when I’m not writing.
When you aren’t writing books about Max, what else do you do? How would you describe the teaching methodology used here?